{"id":64,"date":"2010-08-12T22:33:51","date_gmt":"2010-08-12T22:33:51","guid":{"rendered":"\/?page_id=64"},"modified":"2014-11-24T09:09:27","modified_gmt":"2014-11-24T09:09:27","slug":"press","status":"publish","type":"page","link":"https:\/\/ceuledance.org\/dance\/press\/","title":{"rendered":"Press & News"},"content":{"rendered":"

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“Eule\u2019s work is innovative. It often exercises a nice dose of humor that complements the beautiful forms her choreography exhibits with the dancers\u2019 bodies. Throughout the evening a wide range of work is shown, beginning with a whimsical dancing box and ending with a heart-wrenchingly passionate tryst built around an acoustic piano\u2026 Clean Springing in itself is definitely a celebration. The two pieces that enjoy their premiere stand out as two of the strongest pieces shown throughout the night\u2019s repertoire. It proves that work does grow stronger with age.”<\/div>\n
Review of “Clean Springing X” by<\/br>Rebecca Bernard, Show Business Weekly<\/em><\/div>\n
“Not only did they dance beautifully, but Alexa Weir<\/br>and Cornelius Brown acted with aplomb.”<\/div>\n
Review of Fire Island Dance Festival 11<\/br>Dan Evans, Fire Island Tide<\/em><\/div>\n
“The choreography by Caron Eule is both thoughtful and unpredictable.<\/br>It ranges from buoyant leaps onto the stage to fierce and ominous interplay<\/br>between androgynous dancers to en pointe ballet. Eule maintains space and<\/br>fluidity, despite the formidable cast of 24.”<\/div>\n
Review of “Voices of the Wind\/ The Story of the Ninja”<\/br>Jo Ann Rosen, NYtheatre.com<\/em><\/div>\n
“Caron Eule’s choreography was a prominent voice in this<\/br>production. It is rare that a director gives the choreographer<\/br>so much freedom… Eule’s work was delightful.”<\/div>\n
Review of “Blood Wedding”<\/br>Jade Esteban Estrada, Oobr.com<\/em><\/div>\n
“And an especially sultry, contented atmosphere emerged<\/br>from Caron Eule\u2019s choreography for a trio from New York<\/br>who artfully blended yoga, ballet and modern dance.”<\/div>\n
Review of Dance Under The Stars Choreography Festival<\/br>Jeff Britton, The Desert Sun<\/em><\/div>\n
“…an exotic m\u00e9nage a trois\u2026 The movement is a skillful blend of modern and classical western dance forms, and a kind of Balinese vocabulary. Tension binds<\/br>the threesome, tension of body and spirit, influence and relationship.”<\/div>\n
Review of Dance Under The Stars Choreography Festival<\/br>Joanna Beresford, freelance writer based in Southern California<\/em><\/div>\n
“Caron’s tongue-in-cheek dances backed up by all out<\/br> dancing; colorful and humorous set design and surprise<\/br>appearances of musicians made for an unpredictable finale.”<\/div>\n
Karen Bernard, Director, New Dance Alliance, Inc.<\/em><\/div>\n
“Caron’s choreography demonstrates imagination and skill. Her choice of music is quite sophisticated and the fact that she gets excellent dancers to perform her works is a testament to her standing in the dance community in New York City.”<\/div>\n
Shela Xoregos, Artistic Director, Xoregos Performing Company<\/em><\/div>\n
“I don’t know much about modern dance, but seeing<\/br>C. Eule Dance makes me want to see more.”<\/div>\n
Eric Milano, Musician<\/em><\/div>\n
“Your dancer was doing with ballet what ballet needs to be doing today.”<\/div>\n
Joel Shapiro, Founder, Artistic Director, Electric Lodge<\/em><\/div>\n

THE LAB (for installation + performance art)
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